![]() ![]() The location for the new opera house also had several contenders: La Villette was the early favourite, but eventually the Place de la Bastille was chosen. Only a new opera house aroused any real enthusiasm, and in 1981 the idea found favour with the Minister of Culture, Jack Lang, and especially with the new Socialist French President, Francois Mitterrand. The model for these integrated ideas was, to some degree, the Lincoln Centre in New York. ![]() Other buildings that could be added were homes for the contemporary music ensemble and the Orchestre de Paris (since the city lacked a modern symphonic hall). Fierce debate raged as to what else should be included in such a musical city. Boulez in particular called for an “integrated solution”, a cité de la musique that would feature a theatre and a conservatory (since the Conservatoire de Paris was old and delapidated). ![]() The prime movers in the appeal for a new opera house were composer and conductor Pierre Boulez, choreographer Maurice Béjart and actor and director Jean Vilar. ![]()
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